
This invention was held in derision, and the phrase “sacrifice Phaselisian style dried fish”, that is to say, have your lie acknowledged, to mean “hoping for the impossible”, was used. The famous Phaselisian thinker of the ancient times is the philosopher Teodectes. Furthermore, Phaselisians were historically notorious for their stinginess. Phaselis, which remained under Persian sovereignty until the arrival of the Macedonian King Alexander the Great at the city, continued with maritime trade also during this period of occupation. Phaselis which was later seen to be within the Lycian Union, was exposed to the invasions of pirates during the 1st century B.C. and, then, taken within the boundaries of the Roman Empire. The city, which maintained and developed its character of a port city during this epoch, was again captured by pirates during the Byzantine era and subsequently exposed to the Arab raids after the 7th century A.D. Having lost its importance when the plain turned into a swamp and was occupied with mosquitoes and wasps, it was abandoned. The Turkoman Yörüks who arrived during the 12th century in the area which had been left abandoned for years, improved the swamps 2 km to the north-west of the remains and opened agricultural fields. Today, the remains of the ancient city are mostly in ruins. To the north, south and east of the peninsula are three natural bays used as ports. The Colonnaded Street linking the northern and southern ports to each other, laid with stone blocks on the floor and lined with columns on the right and left was the busiest place in the city. In the middle of this street was the Agora square, in circular form, and at the western end was the Municipal Palace Bauleterion, thought to have been two-storoyed. To the eastern end of the square are the remains of the Roman Bathhouse functioning on the under-heated hypocaust system with cold and hot water pools. Ascending to the acropolis from here, the theatre, with 20 caveas, bearing the traces of the 4th century B.C. is seen. The theatre, with a seating capacity of 3 thousand people, has a total of 3 actors’ doors, one of which is small. The building is faced with marble reliefs, with the statue of Bacuss, god of entertainment, thought to have existed at the uppermost point. In the theatre, which was transformed into an arena during the late Roman era, cages were built in the lower chambers of the stage building in order to protect the spectators from wild animals. On the hillside east of the acropolis the remains of two temples belonging to Athena Poltas, the chief god of Phaselis, and Hermes, God of Trade, are visible. It is reckoned that the entrance gate, viewed from the north, in the form of a triumphal arch which is in ruins to a substantial part, was built to commemorate the Roman Emperor Hadrian’s visit to the city. The water canals immediately adjacent to this door carried water to the city from Mount Tahtalı at a distance of 25 km. Furthermore, there are several water cisterns used to collect rainwater. In the two necropolises within the city the various sarcophagi, sarcophagus covers and the figures of eros and lions worked on them are striking. The remains unearthed as a result of the excavations in the city are on display in the Antalya Museum. Today the settlement unit of Tekirova has become a tourism centre with its facilities and shopping centres which meet world standards.
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